Nothing is ever quite what it seems. Matthew’s wife, Lisa, is having an affair with Adrian, a British theatre director. Or perhaps the affair is part of the play being rehearsed. Or perhaps Matthew has imagined all of it simply to have something to report to Frank, his therapist. Finally, there is Cory—the mysterious woman who seems to shadow the others—who brings the story to its surprising conclusion. Or does she? The audience itself plays the role of detective in this hilarious “relationship thriller” about love, lust and the power of deception.
Unfortunately, the “Private Eyes” story is impossible to follow as it is so non-linear that you never know who to believe or when they are even telling the truth. So that was just too confusing for my taste as after a while, I just didn’t care about the characters or what was going to happen to them. And the lighting was off with several characters often appearing to miss their marks, being in no light or half-light during their important downstage monologues.
However, mystery lovers who enjoy stories that jump around, keeping you wondering exactly what is going on and what is real and what is made up, this is the show for you. Just don’t expect any answers or valid clues from the characters.
While I appreciate that actors always do their best, the shining stars are Chris Silvestri as the British director Adrian and Taylor Patterson at his wife Cory. Patterson lights up the stage with her presence every moment she is there and Silvrestri’s swagger and stunning physique will definitely grab your attention! Eric Pierce and Kelsey Peterjohn play husband and wife actors Matthew and Lisa, but what is true about their lives and what is made up was never clear enough to understand as they are supposedly filming a movie together as they try to figure out their relationship. But is Cory really having an affair with Adrian or is it just part of the rehearsal process? It’s left for you to decide.
As their therapist Frank, Mouchette van Helsdingen stays onstage for most of the second act, watching as the scenes play out, both real and imaginary, as she attempts to help the two actors work their lives out, together and separately. She may be the only frank character in the show who always tells the truth. As she wandered across the stage, I wondered if the whole story was really something she was making up to try and fit all the pieces of conversation into place.
Dietz had started to write the play as early as 1990 with the title “The Usual Suspects.” Christopher McQuarrie wrote a hit movie with that title, and Dietz “begrudgingly” changed his title. By sheer coincidence, both the play and the movie leave the viewer at the end somewhat dishearteningly uncertain if anything just seen happened “for real” (in the play or movie) or if all scenes were merely fantasized by one of the characters.
Brandon Baer directs for the first time at the Morgan-Wixson. Brandon is an L.A.-based director of both film and theater, but here I think he cared more about the stylized appearance of the play rather than reaching out and making the plot more understandable and interesting to the audience, even if nothing is ever figured out.
The cast: Eric Pierce, Kelsey Peterjohn, Chris Silvestri, Taylor Paterson, Mouchette Van Helsdingen, Rachel Seeley
“Private Eyes” by Steven Dietz runs Jan. 16 to Feb. 7, on Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. at Morgan-Wixson Theatre, 2627 Pico Blvd. (Pico @ 27th Street), Santa Monica. The production is directed by Brandon Baer and produced by Larry Gesling. Reserved seats start at $23 online at www.morgan-wixson.org or call the theatre
box office at 310-828-7519.
